Blend reverb and cascading analog amplification stages to create complex and abrasive textures. Expanding on the idea of running reverb into distortion, the Decay Cascade can produce lo-fi subtlety or slabs of disintegrated noise. Or both.
 
Dial in reverb ranging from a light bounce to saturated drones, with a maximum decay time of about 20 seconds. The reverb mix is sent to a versatile drive circuit with a voltage sag gate for extra deterioration. Combine dry, reverb, and distorted reverb layers into your desired textural mix.
 
The entire mix then passes through a preamp stage inspired by 1960s era research amplifiers that can add another boost of raw gain and gated tails, with an optional low pass filter. Add a little dust and murk, or create the sound of amp death. Thankfully, there is a volume control.